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Creative Republic of Birmingham

By Ollie Leggett (Director), 12 September 2008

Comrade Ollie chips in 

 

Comrade Ollie chips in

I went along to Creative Republic’s “A Creative Masterclass with Michael Wolff” event earlier this week and returned to find myself featured on their home page.

Creative Republic is a group of people involved in the creative and cultural industries in the West Midlands, UK. The sector is worth £1 billion to the region’s economy. Recent research has suggested that the region could see 250,000 new jobs in the creative and cultural sector over the next seven years and beyond all that, it’s an industry that makes a massive contribution to making Birmingham a vibrant, interesting and an exciting place to live and work.

The evening was a response to Birmingham City Council’s ‘Big City Plan’ and was a chance for the great and the good of Birmingham’s creative community to dream and moan about how things could be and how they currently are, here in Birmingham.

For me Birmingham is my home. Not a home that I’ve grown up in – I’m a Manchester lad – but a home that I’ve chosen. Birmingham’s been good to me. Good to my family. Good for my business. I’d gladly march for Birmingham.

It was fascinating to see so many familiar faces at the event. People I’ve known or known of for upwards of a decade. I even saw my old landlord from the days when I shared a studio in Digbeth with a girl who made dance leotards back in the early 90s!

These are the creatives who’ve helped build Birmingham’s reputation as a significant regional force within the UK’s design scene. People who are passionate enough about their city to be disappointed when it’s misunderstood, offended when it is misrepresented and delighted when it’s celebrated – and I’m proud to count myself among them.

Sign up for Creative Republic’s Charter at http://www.creativerepublic.org.uk

Destiny or fortunate circumstances?

By Kelle Hinton (Design Team), 12 September 2008

I was reading the latest issue of Computer Arts (September 2008) and I came across an article/interview with Alan Aldridge. I couldn’t help but wonder, by the end of it, if your innermost creative passions can form your career or whether it’s just what you’re good at (be it something at the other end of the scale and not necessarily your most enjoyable past-time) that gets you ahead?

Alan is well known for making his name as an underground artist with his penguin book covers, record sleeves for the 60’s cream such as The Beattles and The Rolling Stones, and now runs ‘Ink Studios’, producing artwork for bands such as US band Incubus.

I couldn’t help but feel in awe of such a well established artist who, ironically, says he never wanted to be an artist. His dream was to be a poet! His career has snowballed (in a great way) and yet to think he isn’t living out his life long passion seems almost laughable. I wince at the thought of being in a role that ok, maybe I am good at, but at the end of the day leaves me longing for something else.

Does this mean that for all those people doing jobs that they have acquired, by fortunate circumstances, that giving 100%, it can materialise into a fabulous career? Im a little doubtful that someone can give 100% of themselves in a ‘day job’ and it can transpire like that. I would like to believe that deep down, somewhere in the depths of Alan’s darkest creative cogs there was always a desire to paint, to illustrate and to visualise.  Coming from a childhood where graphics was always labelled as ‘colouring in’, I truly want to believe that what we do is special, if anything to believe that art & design cannot be done by anyone who picks up a pencil but is saved for those who have the drive for creation.

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